2010 Movie Previews

This year of cinema is going to be great. You know why? Because in the age of information media, over stimulation and sheer stupidity, we want to go to the moves and get our optical nerves assaulted in complete darkness for 2 hours. Here’s some of those movies coming up this year that will do exactly that.

 

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Cop Out
Release Date: February 26, 2010
Jesus Christ, when did Bruce Willis stop caring, and start movies that absolutely stink? The trailer has manic depressive Tracy Morgan as Bruce’s partner with a fucking gun. That whole sentence is just wrong. Bruce Willis isn’t an action star anymore, now he’s just babysitting.

 

 

A buddy cop movie with a black guy and a white guy? Genius!

 

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The Karate Kid
Release Date: June 11, 2010
Watch the trailer, then re-read the title of the movie. For anyone that’s actually paying attention, the kid has moved to China. The national Martial Art of China is Kung-Fu. Jackie Chan is teaching the kid Kung-Fu. There is no karate happening in this film except for the similarity in high kicks. This film vehicle only means to show of Will Smith’s kid as the next acting super-kid. Too bad no one involved in this project bothered to understand basic geography.

 

 

Seriously? The Great Wall? They’re not even trying to cover up the landmarks.

 

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Alice in Wonderland
Release Date: March 5, 2010
The most Burton-esque film to date, Tim has appeared to honour the original material and portray everything through the eyes of a meth-head. Bravo Tim, another nightmare inducing film to further my fears of the dark, and clowns.

 

 

I shall never sleep again at the sight of Madonna’s mouth on Johnny Depp’s face.

 

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Iron Man 2
Release Date: May 7, 2010
Thank God they got rid of that whiny bitch Terrance Howard, Don Cheadle is the shit. The best part of the trailer was the last 3 seconds of Iron Man and War Machine going ballistic.

 

 

This is all the awesome I need.

 

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Sex and the City 2
Release Date: May 28, 2010
Just what every man needed: another estrogen fuelled romp that shows men as dastardly scoundrels who do terrible things to women. And thus shows that women are justified doing what they do because men are pigs. Burn your bra’s and hug your trees, bitches.

 

 

Vomit inducement commence…

 

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Inception
Release Date: July 16, 2010
I have no idea what’s going on in this movie, but Christopher Nolan is at the helm. If you’ve ever watched Memento, Insomnia, The Prestige, any of his films that deal with mind-fucking, then you’re in for a treat. Plus, DiCaprio is one of the finest actors of our generation so mark this date on your calendars, it’s going to be one bumpy ride folks.

 

 

Goosebumps away!

 

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The Expendables
Release Date: August 13, 2010
Stallone wants to revamp the action genre all over again. Too bad he missed the 1980’s catchphrase bus. Action is heading downhill, as Gerard Butler can attest to as of late, all the action movies are mindless and the movie going public wants a little more meat to it’s bones than the ‘run from explosion’ formula that’s been diluted with the likes of Michael Bay.

 

 

A couple decades too late, Sly.

 

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The Twilight Saga: Eclipse
Release Date: June 30, 2010
Teen angst, the sequel with equally shitty acting and story lines. Most men emancipated enough will enjoy the love story between a human and a vampire. Most other, regular men will find something else to do than take their girlfriends to this suck-fest.

 

 

Stephanie Meyers was rejected by the high school football captain, and is now making millions on it.

 

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Harry Potter and the Deathly Hallows: Part I
Release Date: November 19, 2010
The second to last movie in the series, Daniel Radcliffe can finally retire after the last film is finished at the ripe age of 45. Seriously, the film execs are taking so long between films that he’s aging at least 3 years between each. Trying to cramp 20 years worth of wrinkles into a 17 year old package does not work.

 

 

At least Emma Watson is getting smoking hot with each film.

Life and Times of a Medium sized man

Being of average height and weight, does have it’s disadvantages. I was out and about looking for a nice work shirt the other day and to my dismay was having a hell of a time finding the perfect medium/medoyen shirt in the print that I preferred. Every damn thing was either a small, XS, XXL or XXXL. When it comes to availability, I like to think that being ‘average’ would mean there’s more of my size being made and in-stock.

Being average means that numbers are against me. Average means I’ve in the middle. Average also means most people are in this grouping.

Now, if was incredibly obese, or hilariously small this mean I could purchase those nice patterns I like so much. That not being the case, I’ll just have to settle in knowing that should I ever step into a big and tall store, I’ll most likely be thrown out for trying on jacket that could fit a Rhino.

 

“Richard, what’s happening?!

No Regrets

Life can be full of regrets, but you can’t let the past dictate you. I have this one vivid memory, where I call someone a ‘stupid moron’. It was at work, and it wasn’t my proudest moment. I said it out of anger and the person on the other end took it kinda personally. I don’t know whatever happened to her. All I know is I said something in the heat of the moment, and I didn’t mean it. The flashback will happen to me when I’m not doing anything remotely interesting. And at that moment I remember, I feel terrible. Horrible as a matter of fact. Horrible that I could have been such a dick about such a stupid thing. I also remember high school being a place I really disliked, that the people, the culture of my home town was so privileged to have the local tar sands driving the entire town, and the was the golden egg of Alberta. The attitude that gets bred up there is one of backwards arrogance. I hated it, and all the popular kids used to pick on me for being different. I truly hated some of those kids back home, and I regretted not doing something to one of the truly meaner kids. Can I live the rest of my life thinking of those moments where I could have done something back, can I live with the regret of not starting a fight with someone that deserved it? Regret can eat away at someone.

I certainly know that I won’t cuss someone for forgetting something, or lose my patience with a co-worker because they don’t understand. Because that was me at one point. I know that calling them inappropriate names is childish and foolish (and these days can cause a law suit). So I see that as a learning opportunity. I don’t have to start any fist fights with anyone from my graduating class. When I moved south, it was to obtain my bachelor’s degree and be part of a city with great intelligence, class and wit. From that standpoint, I wanted to be a more rounded person, and I’ve accomplished that. Who knows about the kids from back home, I might be the snotty one, but at least I can be aware of it.

Regret is only possible through past events. And rather than look at what I’ve done wrong in the past, I’m choosing to learn from them. Perhaps one day I’ll be one of those intelligent, classy, witty folks in the city.


– Dexter


This picture has nothing to do with the article, it is however awesome.

Funny People

Year Released: 2009
Directed by: Judd Apatow
Starring: Adam Sandler, Seth Rogen, Eric Bana, Leslie Mann, Aziz Ansari
Production Company: Universal Pictures
Release Date: July 31, 2009

Judd Apatow always brings in the laughs, Funny People is no different.

George Simmons (Adam Sandler) is the mega rich, mega funny and mega shallow movie star that climbed the rings of comedy to become king. George is distanced from everyone and everything due to his enormous wealthy, and when he’s diagnosed with an interminable disease finds he’s at a loss for human contact. Reaching out, he finds Ira (Seth Rogen) an up and coming comedian who works days in a deli and struggles to find his niche in stand up. The two find each other, and both seemed destined to give each other what they sorely need: George needs someone to confide in, and Ira needs his big break.

“Let’s eat turkey in a big brown shoe!”

Apatow stands out in the comedy category for one reason: he weighs down his comedy with some real meat. There’s too many romantic comedies that skip over real issue and contain so much filler and uninteresting characters we bypass them and they end up in the bargain DVD bin. Funny People, stands out as one that’s willing to give us more meaning, and be more about the people, than it is the funny.

Adam Sandler has been bringing his A game the last few movies. I was getting a little bored with his Happy Madison days, and the sophomoric, elegant side he’s been showing with Rein Over Me and Punch Drunk Love (old reference, I know) is starting to show some shine.

“I gotta tellya Eric, ‘Troy’ was terrible”

An interesting balance is always struck with Seth Rogen; he’s naturally funny and the lines he spouts out with his commanding voice are well timed and on-spot. His comedy fodder seems to get bigger with each picture. I have mixed expectations of his up and coming Green Hornet movie myself. For now, I’ll revel in his funny nature.

Funny People manages to hit some high notes and keeps us entertained all the way through. Apatow gets better with each film, this one by far is his most mature to date.

8.0 out of 10

Year One

Year Released: 2009
Directed by: Harold Ramis
Starring: Jack Black, Michael Cera, Hank Azaria, David Cross, Possibily Jesus
Production Company: Sony Pictures Entertainment
Release Date: June 19, 2009

Year One is a reminder never to take our religion too seriously. It also reminds us that Jack Black plays the same damn character in every movie. Thanks to Michael Cera’s awkward teenager role lifted directly from his Arrested Development days, the two manage to squeeze out some laughs, but the movie never really gains any momentum.

Hey! Did you catch Bill Hader?

Zed (Black), and Oh (Cera) are Hunters and Gatherers (respectively) for their small village. Zed is a failure at his job, and Oh simply wants to obey his carnal lusts for Eema (Juno Temple), yet fawns for her at a distance. Zed one day, has the bright idea to eat from the tree forbidden tree of knowledge. With his mind awakened, he and Oh are promptly exiled from the village. Zed in his slow, somber retreat accidental torches the village, burning it to the ground, causing his ex-tribe members to be imprisoned by the guards of Sodom. Zed and Oh travel the lands with Zed’s new-found knowledge in search of Zed’s destiny. You need to think less Life of Brian, and more Superbad; the script certainly has an impromptu feel, yet doesn’t distract too much from the main themes.

Jack Black has worked a long time in Hollywood, and for some reason he keeps getting plum roles where he gets to show up, shout some obscenities and never develop a real character. Michael Cera keeps getting jobs on his teen character, speaking to his chest more often than putting his forward emotions on screen. It certainly works in his favor, as Oh is more at home given intricate moments of inflection such as “I saved a life with my love making”. At least these guys looked like they were having fun filming, with a subject like religion he tongue-in-cheek humor bodes well with both personalities.

Golden Shower just took on a whole new meaning.

Year One at times felt more B-Movie quality, which was supposed to be played off as campy. Most of the humor comes from physical comedy, even observations (lady armpit hair, women’s eyeliner) or the circumcision loving Abraham (played by Hank Azaria). It also seemed a little foolish to have yet another aimless comedic duo start out wandering from forest to desert, only to find their true calling. Call me crazy, but is Hollywood really pandering that much to the generation that’s still spinning it’s tires?

The genre can withstand shtick, should it be awesomely funny as “Life of Brian”, or more ho-hum as “Year One” puts it. On the scale, “Year One” land between mediocrity and an eyebrow raise.

Tiger Woods and the never ending media blitz

I keep hearing about Tiger this, and Tiger that, how many people he’s slept with, how many times he’s cheated on his super hot wife. Well, I’m sick of it. This being the age of information isn’t necessarily the age of intelligence or relevance. Sometimes I stop to ponder how many of us are able to separate the difference between what is important, and what is complete and utter wastes of time. Tiger Woods supposedly slept with over 14 women. I get that. But look at the bigger picture, did he cheat at golf? Absolutely not. So why is this such big news? Because we’re so damn fascinated with celebrities- too fascinated as a matter of fact. This is the age where morons like Heidi and Spencer Pratt are famous for being rich and white. Are we that gullible to think that the rich are so much better than us? That we place the wealthy on a pedestal, and because of the size of their bank accounts we hold them in such high moral regards? People are after all, human. And the human condition dictates that we make mistakes. Tiger made a few mistakes, and now the media is all over him with steroid allegations and talks about his wife leaving him and taking the kids.

Just take a step back, folks. Just think, does it really matter why Woods was unfaithful? Jokes will be churned out, but is this really essay quality material that we should all be blogging about?

That last sentence sealed the ironic tomb on this article.

Whores!

G.I.Joe: The Rise of Cobra

Year Released: 2009
Directed by: Stephen Somers
Starring: Channing Tatum, Marlon Wayans, Incredibly Hot Sienna Miller, Rachel Nichols
Production Company: Paramount Pictures
Release Date: August 7, 2009

I remember when Stephen Somers burst onto the scene with The Mummy. Here was a franchise that hadn’t been touched in long time, and was a classic movie monster. At the time, I was blown away, digital effects were gaining ground, and the story was solid. Pretty good material for its time. G.I.Joe on the other hand is based on the popular American cartoon television series that more Gung, than Ho. It glorified guys with big guns and promoted American Values such as reading (“Knowing is half the battle”) and other forgettable things that I can’t seem to muster up right now.

Take those elements, and the child like wonder of Somers who is able to treat the source material in the same way many 10 year-olds did. The end product is something that is both insulting to the intelligence, and completely non-sense. What a complete waste of money. The only reason I wanted to see this was for Dennis Quaid, and he’s quickly stepping into the realm of B-movie actor in quad leaps after watching G.I.Joe.

I kinda wish I paid more attention to the “Travelling Pants” movies…

As a paying movie-goer, we have to suspend our belief every once in a while, and take what is given to us. I simply cannot accept what happened here, all the dialogue is cookie cutter thin, and the characters are stock representations of their plastic toy counterparts, with as much appeal behind a blister pack. The plot makes no sense the special effects were bargain basement. If Stephen Somers set out to make his movies as uninteresting, and un-entertaining as possible, by Joe, I think he’s hit the perfect note here.

I’m never sure what to expect with a Wayon Brother cast into an action role. You either get “White Chicks” or some variation of the Halloween mash’em ups. With that mind, they’re usually into gross out humor with B-List actors. Well, there’s no gross out humor here, but there’s plenty of B-lister’s on stage strutting their stuff in the hopes an A-list action director comes calling with a casting sheet. Even Dennis Quaid seems to be hamming it up with his serious, gruff, plastic-type mannerism that comes off as cartoonish, and to think he’s got the most serious role. C’mon Dennis, you’ve done so many good films, why choose this one to screw with your karma?

Style takes a backseat to substance here folks, and this is the end product so many of us were waiting for, and now will forever be stuck with. It’s a reminder, that in a time of technological wonders, we can have high expectations, yet have them dashed in a moment. For that, I firmly place the blame on George Lucas for forgetting to write scripts to his prequel movies. For shame people, for shame.

Bet you had to look twice, didn’t you?

The comedy should add to the exciting things on screen, but the comedy here comes completely from the visual effects department. There simply is no consistency when jumping from scene to scene; the backgrounds are straight out the cartoon, complete with brightly colored palettes and bad lightning techniques. Marlon simply shows up the green screen set with his attitude. And at least he’s sporting a character, the rest are either too busy brooding or trying to remember their simple dialogue they’re all played off as foolish and silly. At least Snake Eyes had the good grace to take an oath of silence and let his physicality take the main presence over the rest of the amped up cast.

2009 was a dismal summer of movies, Transformers: Revenge of the Fallen, one of the most anticipated sequels of the year fizzled, the Terminator prequel/sequel received more attention behind the scenes with Bale’s rant than in the box office, and it just doesn’t seem to add up. Perhaps money doesn’t make a good product (too many cases in point here). G.I.Joe just fails me at every level. At least Transformers believed in itself enough to try to sell me on the idea. The sales pitch falls flat in G.I.Joe, it was more DOA than COD, and that’s from a guy who had to watch a rental.

2.0 out of 10

Transformers: Revenge of the Fallen

Year Released: 2009
Directed by: Michael Bay
Starring: Shia LaBeouf, Megan Fox, a bunch of polygons
Production Company: DreamWorks Entertainment
Release Date: June 24, 2009

“Transformers Revenge of the Fallen” appeals to the MTV generation in more one way. For the rest of us with longer attention spans, we’re bound to notice the lack of character development, the fundamental story telling flaws, and the visual and auditory assault on the senses that Michael Bay loves to stuff down our throats. Transformers as you might know is the love child of Japanese big robots with the Gung-Ho of Americanism chock full of child loving goodness, broadcast Saturday mornings to children all across North America. The problem with this premise used to be “how can we make giant robots LOOK cool?” Thankfully the geniuses at ILM made the mega monstrosities come to life in 5 storey fashion, but the story falls flatter than Shia LaBeouf’s personality. We have Michael Bay to thank for all this noise, and when I say Noise, I mean it. Sitting in a darkened theatre whilst giant mecha’s duel it out certainly can be grating – 2 and a 1/2 hours worth was plenty for me.

You can’t blame Steven Spielberg for this one, he has the executive producer rights, but his name, his image is nowhere seen close to or on this product at all. Like every other Michael Bay movie, the action is frenetic, choppy, and bright without any sort of shyness when it comes to being full bore on insane. And just like any other Bay-hem film, the action is tough to track; the enemies and good guys mix it up so frequently you can’t keep track of who is kicking whose butt. Other nuances, such as the average lifespan of a shot must be less a second, watching Sam (Shia LaBeouf’s) and Mikhela (Smoking Hot Megan Fox) say their respective good-byes to each other had so many tracking shots I nearly got motion sickness.

Bumblebee: missing a pair of converse high tops and a sweet kentucky waterfall

It’s simply mindless, it spends more time trying to build on non-existent back stories and continually going back to characters that don’t add to the overall plot, or contribute anything further than being racist stereotypes that Bay finds amusing. I’m of course talking about Skids and MudFlap, the Autobot twins annoying their way in each scene, showing up only to be more bothersome and irksome than actually adding to the storyline. Personally, the movie could have done without them. A,s I mentioned before, new characters are hastily introduced and just as quickly killed off without even any proper introductions. I wish I could have said the same about Sam’s parents, as their little escapade at Sam’s University was blown out of proportion and borderlines on fantasy of ‘what drugs can do to you’.

The one saving grace was and should always be the Transformers themselves, the stars of the show, who comfortably have more speaking lines than the last, and compared to the mindless banter of the humans is by far more welcome. Some approximated render times are far more fictitious in the age of Quad Core Computing, yet the finished product is something to awe. Especially worth watching in high definition television.

The Gundam happily crunched the racism-bots where they stood.

There’s been a lot of Michael Bay bashing over this movie, some I can understand, while others I’m little more lenient to dissuade. Mainly the naysayers that are advocating that he should stop making films altogether. Now, I’m a fair guy, and I like explosions, and The Rock was actually pretty good, even after a few viewings. People want him to stop because he’s inflicting more pain on the movie going-public than he should be. I for one think all that is absolute crap. Because, complain all you want, you have to admit the guy is a mega cash cow with regards to any movie he’s directing. Some small faction might not like his in your face, shoot-for-the-edit style of film making, but he’s pulling in the revenue to generate more mindless action vehicles.

And to prove a tired point, wouldn’t your 8 year old self want to reveal in watching gigantic mechanized Godzilla’s slugging it out on the big screen?

4.5 out of 10.0

Fanboys

Year Released: 2009
Directed by: Kyle Newman
Starring: Sam Huntington, Jay Baruchel, Dan Fogler, Kristen Bell
Production Company: Weinstein Company
Release Date: February 6, 2009

“Fanboys”, as the namesake would imply doesn’t quite live up to it’s own title. That being said, there’s certainly a trying effort at work here to make a decent comedy, but it fails due to only chuckle worthy jokes. Director Kyle Newman never embraces the full on Star Wars geek within all of us, and would rather film the surface level knowledge only inherited from the original trilogy. Like any true geek director (Tarantino, even Robert Rodriquez’s Sin City) he talks the talk, but never delves any deeper into what makes the series so popular, or why it’s been such an enduring piece of American history. Hey, I’m sure Chewbecca jokes and salivation over slave Leia pics are worthy, but there’s certainly a father-son dynamic and the maxim that absolute power corrupts. But I’m not here to tell Newman how to make a film, I’m reviewing why I didn’t like it.

THIS MOVIE SUCKS!

Hey, if you’re a geek (which I proudly proclaim), and you love Star Wars (which I do) there should be a homage movie that takes in those elements and churns out a comedy right? Well, Fanboys doesn’t quite hit all the right marks, but it earns a few points for trying.

There was an Internet debacle around the release of Fanboys. Blog comment boards were lighting up over some last minute edits. The edits were intended to give the film more appeal to the masses, as a result the entire crux of the plot was taken out. The original plot was about a group of buddies planning to steal a copy of Episode: I for a dying friend. The sympathy and motivation is certainly there, and it sounds like it’s got real heart. I don’t know why anyone would go screwing with that…but money talks. Of course, the version I viewed still had the original plot, but numerous reviews cite many in-jokes were cut out and the final product is a watered down fan-shtick cobbled together by money hungry producers. So to say the least, my expectations were fairly high.

“Look, just give me the bluebook value of a mint PoTF maskless vader”

So I was a little disappointed with the final product. It’s certainly no Star Wars, but it has it’s heart in the right place. This by no means equates this movie to absolute crap. However, it does leave a bit to be desired. A dying friend doesn’t equal comedy, but the friendly in-fighting, the banter between friends even, a poorly executed Chewbacca is comedy. Fanboys serves up more under cooked jokes and silliness in the name of silliness than is necessary. Even the final 20 minutes of the film, the resolution feels more of a let down after the beginning acts.

4.0 out of 10

More time should have been spent on plot and the impact of a friends impending death; doing the right thing for the right reasons. The impact ultimately is wasted on low lying jokes and not fully embracing it’s namesake as Fanboy material.

Star Trek


Year Released: 2009
Directed by: J.J. Abrams
Starring: Chris PineZachary Quinto, Bruce Greenwood,
Production Company: Universal Pictures
Release Date: May 8, 2009

“Star Trek”, the titular science fiction/space opera known by all, watched by many, and appreciated by the few has been re-imagined in J.J. Abrams super summer blockbuster. This certainly isn’t your father’s Star Trek, filled with action, bright lights, lens flares and space; the final frontier.

2009’s Star Trek heads back to it’s roots introducing young versions of Kirk, Spock and company. A titanic task? Not quite, considering major back stories have been traded in for a time travel plot that lends to much needed explosions (Hey, I love my eye candy too). The plot plays it safe, not getting into any new ground and treats science with a ‘suspend your belief’ attitude. It’s seeing the characters assemble onscreen, and Abram’s deft use of scenery and characterization that really shine.


Folded Arms are the new thing in the future

Follow me now: Nero, a Romulan from 129 years in the future has come back to ‘the beginning’ (of the Trek universe) because future Spock couldn’t save Romulus from collapsing. The black hole formed from the collapse sucks in Nero and Future Spock, plunging Nero into ‘the beginning’, he destroys the U.S.S Kelvin where commanding officer Kirk Sr., has assumed control, his son is about to be born and he must pilot the ship on a collision course after evacuating the entire crew with busted warp drives. Nero sits around for about 25 years waiting for future Spock to arrive so he can get revenge by destroying Vulcan with the very technology the Vulcan Science Academy created (known as red matter). So it’s up to our very handsome/great looking crew of the U.S.S Enterprise to go in, destroy the ship, save the day and create a Star Trek for the masses. The Roddenberry-verse physics aside, as long as you know that black holes equal time travel, and class M planets exist with scary looking monsters, and total and complete coincidences happen, you should be absolutely fine. Just suspend your damn belief already.

“Did you seriously sign on for the sequel?”

Chris Pine does an admirable job as James T. Kirk, successive captain of the Starship Enterprise. His energy and natural leadership slightly showing, although his douche bag like character is still lovable and enduring. Zachary Quinto was definitely born to play Spock, his cold demeanor picked up from his time as Sylar on TV’s Hero’s, he dons the Vulcan ears and detached voice with ease, simmering emotion under the surface as the half Vulcan/Human hybrid and Kirk’s best friend. The rest of the ensemble cast play their parts magnificently, no one seems to miss a beat and the slight nods to the original series are deft in execution. Even Leonard Nimoy shows up in Spock attire, his first outing in nearly a decade, proudly handing the touch from one generation to the next; although it seem like he was in this version a little longer than necessary. I’m sure all the fan boys were wetting themselves in excitement when the pointy eared one entered from stage right.

There’s only a few moments of disbelief, and it’s all in the science of show; consider that against the numerous times Scotty has outright bent the laws of physics in the original television show and movies. It’s all in good nature however, once you realize you’ve been beamed aboard another reality, one with much better looking people and alien races with humanoid bodies and slightly larger/smaller eyes or different skin color. Bridging the continuities was an immense task, keeping with the newer, sexier generation just got a whole lot easier.


No caption, just a green skinned Orion Girl in her bra and panties

If you haven’t witnessed the rebirth of Star Trek yet, I highly suggest you do so. Reading up on the pre-reviews of supposed mega-blockbusters as Transformers and Terminator: Salvation, I can already see a pattern emerging: All these franchises are getting slammed for lack of care, they’re not lovingly crafted as they should be, and are getting shoehorned with last minute rewrites and CGI over actual plot or any good character emotion. These movies aren’t meant to be overly cerebral, but it’s pretty clear the movie going public wants more substance than the flash and bang approach. Star Trek thankfully is light hearted enough to take all this in stride and put together a fun, exhilarating thrill ride that won’t disappoint.

9.5 out of 10