Tag: 8.5 out of 10

Watchmen

Posted on March 30, 2009 by Dexter

Year Released: 2009
Directed by: Zack Snyder
Starring: Billy Crudup, Malin Akerman, Jackie Earle Haley,
Production Company: Waner Bros.
Release Date: March 6, 2009

There’s a large group comic geeks and assorted nerds the world over. Many of those geeks have been enjoying Hollywood’s recent turn to comics for quick cash profit. And of those many geeks, they’ve been given such ham-fisted attempts such as Batman and Robin, and an even lower extend, the Fantastic Four Franchise. I am one of the many comic book geeks out there, watching, and pondering, waiting for that one glimmering moment where the entire world believes it’s cool to be a geek all over again. Well, imagine my surprise when I heard about Watchmen, Alan Moore’s to the point, spawning graphic novel that covered politics, greed, and immortality to name a few topics. It’s a richly detailed, mystifying ride that will teach you something new each time you read it, and it’s a wholesome adventure with an inconclusive ending that leaves you with the ending devices. And that’s just the book. The comic was meant to only live within the paneled realm which Dave Gibbons created; certain story telling elements could only be portrayed in a comic book format, and untranslatable to any other format. But, damned if you can keep a filmmaker down, someone really wanted to reach a wider audience other than kids who spent too much time at the comic shop.

For all the cogs, there is only one spoon.

From Stage right strides in Zack Snyder, a respectable director hailed for his faithful representation of comicdom’s Frank Miller’s 300. He was able to capture the grandeur and glory of a chest thumping battle-hardened king Leonidas. Could Snyder capture the ethos, pathos and multiple underlying story elements that made Watchmen a timeless masterpiece? Well, he comes pretty close.

Watchmen takes place in an alternate 1985 where costumed folk fight crime, pursue justice, and have deep psychological problems. President Nixon is running for a third term, and the doomsday clock (a huge symbol in the comic book) is set 5 minutes to zero hour. Cold war tensions have reached a tedious high with the Soviets invading Afghanistan, yet are reluctant to strike with America in possession of the living superman Dr.Manhattan. The chain of events starts with the murder of one Edward Blake; costumed vigilante Rorschach investigates only to find Blake is actually the superhero ‘The Comedian’. Rorschach believes he has discovered a plot to eliminate costumed adventurers and sets about warning his retired comrades: Dan Dreiberg/NiteOwl II, Dr. Manhattan and Laurie Jupiter (Juspeczyk as told in the comic). Dreiberg informs Adrian Veidt, the world’s smartest man and former costumed avenger Ozymandias with little success. This all of course the set up so far, and I don’t want to spoil it for those who have never read the book, so I’ll stop here, but I can at least elaborate on what I did, and didn’t like.

Didn’t I see you in ’27 Dresses’?

Zack Snyder was handed the role due to his success with merging special effects with live action, he does a fine job here; he seamlessly matches up a pre mega-scraper New York complete with Gunga Diner elephant float, conveys mood, theme and attitude all incredibly well. Dr. Manhattan’s ethereal blue glow is handled in practical way as I found out on his blog, it matches the character and it the blue is never a distraction, only a tool that never distracts from the bigger picture. The flashbacks are handled quite well, as he choose to cast the actors younger and let the rubber latex add the years on in the 1985 timeline. The sets are wonderfully dreary without letting on they were lifted quite literally from Dave Gibbon’s artwork, and he does a fantastic job of translating literal famous comic poses onto the silver screen (See Rorschach’s jump onto Comedian’s balcony, or Dreiberg in quiet contemplation after hearing the line ‘you quit’). There’s never a moment on screen that isn’t drenched in history or burgeoning with in-references and nods. Each place you look on screen there’s a visual queue, a tip of the hat to the comic fans, and for non comic fans there’s always something worth coming back to. The mythology painted from the visuals is a rich tapestry from which you can find something new in repeated viewings. The lighting lends a heavier context with certain characters and there’s a certain flux in the flow of any scene. I was thoroughly engulfed in this world; a mix of real sets and computer generated backgrounds gave it more depth and I praised Snyder’s attention to detail.

Thankfully the blue smurf penis was petitioned out of this publicity snapshot

The characters themselves are visually stunning (Malin Akerman Anyone? Damn!), but just as Dr.Manhattan is detached from humanity, I too felt the actors were a little too disconnected. Patrick Wilson as Dan Dreiberg didn’t feel as intimated or as non-threatening in plain clothes; his physical demeanor and mere presence at times were staged as him being powerless, yet he always felt much more in command. Malin Akerman is as always a knockout, but she felt like she was going through the motions of her character, but I just wasn’t feeling it. Dr.Manhattan’s numbness to the world wasn’t really felt through Billy Crudup’s voice, but he does come close a few times. Matthew Goode as Adrian Veidt, the world’s smartest man certainly feels like he’s conveying the same detachment, although if his words carried the same impact as his punches he would have been fully realized. All this, and the one character that came shining through was the stark black and white characterization provided by Jackie Earle Hale in Rorschach. The raspy voice over’s, absoluteness of his morals and drive for the truth couldn’t have been played better.
Too bad there’s no such thing as a sequel in this universe, I know who Hollywood would happily create a spin-off for his character.

Damn you Bruce Wayne, damn you.

The logic behind someone putting on mask and doing dumb things at 3:00am isn’t explained easily; it takes someone that’s little bit off kilter and willing to bend rules to do something like that. The overall feel of the book is captured nicely through the music, tone, dialogue and pacing. There’s never a moment you feel left in the dark with anyone’s motives and I can’t say enough about the eye candy throughout the production. As a comic geek, I was thrilled to see this adaptation come to fruitition. Everything is a little bit larger than life, and the production crew really outdid themselves in this Alan Moore tale of politics and superheroes. There were many layers omitted for obvious timing reasons, but that’s the fate of a book to movie adaptation; there’s always going to be a few sacrificed plot devices to fit the entirety of a film.

If you want a film that’s beautiful to look at, has lots of history and a loyal fan base, check out Watchmen. You won’t be disappointed.

8.5 out of 10

Taken

Posted on February 19, 2009 by Dexter

Best Poster of the Year by far.

Year Released: 2008
Directed by: Pierre Morel
Starring: Liam Neeson, Famke Janssen, Maggie Grace, an alarming amount of French/Albanian Terrorists
Production Company: 20th Century Fox
Release Date: Jan 30, 2009

If there’s a lesson to be learned from Taken, the white knuckle thrill a minute movie, it’s this: Do not, under any circumstance, fuck with Liam Neeson.

That’s right Heir Schindler himself is ex-CIA operative Bryan Mills, the killing machine set off by the kidnap and sale of his daughter to an Albanian sex trade ring. He stops at nothing to find his daughter, and you believe he’s justified in getting the information necessary, and punishing the people responsible. I could be partial to this, as the most difficult scene for me to watch was his utter helplessness but cool demeanor when his daughter informs him there are people trying to kidnap her. During that harrowing phone conversation however, Mills is able to pick up enough information through his auditory senses and actually speaks to one of the assailants and issue perhaps one of the most bone chilling threats ever uttered on the silver screen:

“I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills; skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.”

Between that quote, and the poster itself, some sort of Oscar hardware should be handed out for sheer bad-assery. Of course, this is considered a mindless action movie of the variety that could only be churned out in the same fashion as The Transporter series, or perhaps at some level of The Professional. It certainly works for me.

If you tell me where she is, I’ll give you a copy of DarkMan

Speaking of The Professional, you’ll notice that this penned by Luc Besson himself. There much of the same themes in the main character: he’s a professional, the best at what he does, and has ruthless methods. The other common theme between the two pictures is that lead actor is a quiet, unassuming male respected for other works than mindless action. Hats off to Besson and the production company for lassoing Neeson in, as anyone else would have sounded corny or comedic in their interpretation of the lines. Part of me wondered why someone of Neeson’s status as leading dramatic man decided to play the part. After watching the movie however, you can tell he brings all his acting chops with him in every scene. And it’s bloody brilliant on his part. I prefer the brand of highly competent, highly professional action hero that has been churned out in the last five years (Such as the Bourne Series), compared to the eighties cigarette smoking, testosterone filled, one-liner quips spouted off at the correct moment hero I grew up on. The maturity is needed to fill the void left over by the cocky actioneers and violent ways, the newer breed actually have goals and aren’t willing to bend their ways to get them.

Next time, I’ll use a light saber on your ass!

I can’t say enough about Liam Neeson, he’s just so damn good as the guy who pulls out all the stops to get his daughter back. As a new father to a daughter myself, I identify with his character. I’d do everything in my power to achieve the same end, and if I had the same skill sets and knowledge Bryan Mills had, I’d tear down the Eiffel tower myself to get back what was mine. He brings an additional weight to his performance that Taken would otherwise would have been without, and become straight to DVD fodder. The action might be mindless, but the motivation is clear, and watching the straightforward Liam-beats-the-ever-loving-daylights-out-of-people-plot is well worth money.

8.5 out of 10

Movie Review: Iron Man

Posted on May 20, 2008 by Dexter

Iron Man

Year Released: 2008
Directed by: John Favreau
Starring: Robert Downey Jr., Jeff Bridges, Gweneth Paltrow
Production Company: LivePlanet

As farfetched as having a guy build an exo-suit that can fly, punch through tanks, is bullet proof, and filled with more technology than the state of California, sounds pretty out there. But John Favreau and Robert Downey Jr. sell it, and sell it excellently. The Marvel comics roots are still there, yet thankfully, the realism is intact and the physics and storyline all make perfect sense. Bravo, Marvel studios, Bravo.

“I was sure I left my keys in here somewhere…”

Iron Man is the story of billionaire industrialist Tony Stark, played to perfection by the fast talking, ingenious Robert Downey Jr. whose company, Stark Industries supplies the United States military with high tech armaments. Stark is kidnapped by a Middle Eastern faction during a weapons test, and must find a means of escape with only his mechanically inclined mind. During the kidnap, his own manufactured weapons are to blame for shrapnel coming perilously close to his heart; as a result he’s tethered to a car battery powering an electro magnet making sure the shrapnel doesn’t kill him. He’s being kept alive by the terrorists so he can build them a weapon of mass destruction, a little something his company whipped up that can basically destroy a whole shit load of towns.

“Dammit, I just want to use the john”

With a little bit of physics, Stark creates a miniature Arc Reactor with which he can ‘power his own body for 50 lifetimes, or something really big for 15 minutes’. So what’s a billionaire industrialist to do? Build a sweet looking gigantic monster suit that can shoot 50 foot flames and can fly short distances. That’s what. Well, he does and it can. And it’s all believable (in the confines of this movie world at least). Stark high-tails it back to the good old U.S. of A and first thing he does is chomp down on a hamburger. At which point, he calls a press conference to tell the world he’s no longer making weapons of mass destruction. The decision doesn’t sit well with business partner Obidiah Stane (one bald Jeff Bridges), who’s in the business for pure profit rather than the consequences of destructive weapons. Meanwhile, Stark takes his original prototype used to escape and improves it with some bad ass technology; namely Marvel’s repulsor ray, coupled with a newer, more powerful arc reactor attached directly to his heart. The new exo-suit itself if believable and ultra-cool. Take the Robocop suit, add in super mobility, flight and the fact that Downey Jr. isn’t a re-animated corpse and you got yourself Iron Man.

Stark sets his sights for on Gweneth’s tight sweaters

Being a comic book geek, I should point out that Iron Man is Marvel comic’s version of the classic Batman. Batman was a billionaire son of Gotham city, who lost both his parents in a brutal robbery, and dedicated his life to improving his mind, body and fighting crime with the aid of bat-fear symbolism. Iron Man lost his father to a heart attack, was always mechanically inclined, had a shit load of money and used his cash to finance wars, and build an indestructible suit to fight crime. So, Tony Stark is who Bruce Wayne would be if his parent’s weren’t killed in front of him, and he enjoyed a drink or two once in a while. If I could pick between the two, I’d have gone the Iron Man route.

The real gem comes from the comedic timing of Downey Jr.’s attempts at creating the suit; between test flights in his garage where there’s at least a million dollars worth of classic cars, he’s shooting repulsor rays, falling through ceilings and getting a fire hose in the face from his pet robots. He’s able to weigh down his heavy pathos and genius mind with the carefree spirit needed to imagine these fantastic toys. Plus, he’s got a smoking hot assistant in Pepper Potts (Gweneth Paltrow), why a guy whose worth more than most third worlds would rather give it to Vanity Fair reporters instead of his assistant is beyond me; it could have been a writing flaw.

“Can you point me in the direction of Canadian Tire?”

The special effects are awesome, try picking out the parts that are CGI versus live action. The late, great Stan Winston himself had a hand in creating the goliath first prototype suit; sadly it was the last project he was involved in, and the mythos of special effects wiz Winston was just the icing on the cake. The pacing is adult and doesn’t once make you feel like you’re watching some kids movie repackaged into a re-release, all the parts fit together nicely, and if you watch past the credits, you’ll be in for a little treat.

Marvel studios is gearing up for something big; since they own most of Hollywood, thanks to titles such as X-Men, Incredible Hulk and to a lesser extent Fantastic Four, the company is more on the lips of the populace. The comic book giant is keeping the characters and storylines canon in the movie universe and there might be a little mixing and collaborations in the future, so just keep your eyes peeled for that little special mega-blockbuster all the fanboy geeks have been waiting 20+ years for.

If Iron Man is any indication of the level of quality to come from the house of words, then I’m sold on the plan.

8.5 out of 10